We've seen Mon gosse de père movie
Movie Issued - in 1930.
Color Info: Black and White
Countries: France
Genres: Drama
Languages: French
Sound Mix: Mono
Tech Info: RAT:1.20 : 1, OFM:35 mm, PCS:Spherical, PFM:35 mm
Release Dates: France:1 May 1930
In movie have been taken:
André Marnay (actor)
Birth Name: Rigoult, Paul André
Birth Notes: Levallois-Perret, Hauts-de-Seine, France
Death Date: 23 May 1964
Death Notes: Couilly-Pont-aux-Dames, Seine-et-Marne, France
Birth Date: 14 November 1877
Adolphe Menjou (actor)
Articles: "New York Times" (USA), 30 October 1963, pg. 39:2, "Adolphe Menjou Is Dead at 73; Suavew and Deb onair Film Star; Mustached Actor Was Known for His Sartorial Elegance--Active in G.O.P. Politics", "Motion Picture World" (USA), 30 July 1927, pg. 330, "Menjou Follows Academy's Suggestion", "Cinema Art" (USA), June 1927, pg. 21, "This Menjou Habit; A short sketch of an actor who is fast becoming an obsession with American movie audiences", "Motion Picture World" (USA), 18 September 1926, pg. 176, "Plans Shaping for Adolphe Menjou", "Motion Picture World" (USA), 19 June 1926, pg. 2, by: Gladys Hall, "Adolphe the Elegant; An Impressionable Pen Picture of Menjou, the Master of the Sophisticated Shrug and the Emotional Eyebrow", "Pictures" (USA), June 1926, pg. 55-56, 117-18, by: Faith Service, "This Love Stuff", "Motion Picture Classic" (USA), March 1926, pg. 18-19, 74, 84, by: Sara Redway, "Women; Adolphe Menjou declares that he really knows nothing about women", "Motion Picture World" (USA), 30 January 1926, pg. 448:2, "Menjou Chosen for Role of Satan in Coming Griffith Film [_he Sorrows of Satan_]", "Motion Picture World" (USA), 5 September 1925, pg. 89, "Adolphe Menjou Comes East", "Motion Picture World" (USA), 25 July 1925, pg. 442, "New Stories for Menjou", "Movie Weekly" (USA), 25 October 1924, pg. 10-11, 25-26, by: Gladys Hall, "Mrs. Menjou Talks About Adolphe", "Motion Picture Classic" (USA), June 1924, pg. 41, 76, by: Faith Service, "Adolphe Menjou Talks About Women; Read It and Weep!", "Photoplay Magazine" (USA), May 1924, pg. 74,140, by: Mary Winship, "A Man of Pittsburg[h]; A delightful personality sketch of the worldly wise bachelor of 'A Woman of Paris'", "Movie Weekly" (USA), 12 April 1924, pg. 13, by: Adolphe Menjou, "Why I'm Glad I'm a 'Ladys Man!'", "Motion Picture World" (USA), 8 March 1924, pg. 111, "Lasky Signs Menjou"
The "Menjou" mustache was named after him., Adolphe attended the Culver Military Academy and eventually graduated from Cornell University with a degree in engineering. He also was a captain in the Ambulance Corps during World War I., His mother (Nora Joyce) was from Connemara, Ireland., First-generation American of mixed French-Irish ancestry. His French-born father, Albert Menjou, was a successful hotel manager and his mother, Nora Joyce, was from Connemara, Ireland., Voted Best Dressed Man in America nine times over the years., Cousin of author 'James Joyce (I)' (qv)., Brother of actor 'Henri Menjou' (qv)., Was a (very) "friendly witness" for the House Committee on Un-American Activities' hearings into alleged "Communist subversion" in Hollywood. He willingly "named names" to HUAC during his 1947 testimony and was well-known for his ultra-right-wing political stances. He once said that all Communists should be taken out and shot, irregardless of whether they were American citizens or not., Once boasted that his wardrobe included about 2,000 articles -- over 100 suits and 15 overcoats alone., Staunch member of the John Birch Society., Possessed enviable art and coin collections during his lifetime., He died with an estate valued at $700,000.
Pictorials: "Playboy" (USA), June 1965, Vol. 12, Iss. 6, pg. 155, by: Arthur Knight & Hollis Alpert, "The History of Sex in Cinema - Part Three: The Twenties - Hollywood's Flaming Youth", "Life" (USA), 7 October 1946, Vol. 21, Iss. 15, pg. 106
Trademarks: Waxy black mustache and impeccable taste in clothes
Death Notes: Beverly Hills, Los Angeles, California, USA (chronic hepatitis)
Books: Adolphe Menjou, w/M.M. Musselman. _It Took Nine Tailors._ New York: McGraw-Hill, 1948.
The libretto "suave" and "debonair" become synonymous next to the epithet Adolphe Menjou inwardly Hollywood -- both on- and off-camera. The print of knavish, continental attractiveness and sartorial opulence, Menjou, inclusive with trademark waxy black mustache, evolve into one of Hollywood's chief aristocrat of artist and craze plates -- a tailor-made scene-stealer, if you will. What be habitually forgotten is that he be primed in dump of a matinée idol bracket in the silent-film days. With hooded, a taste owlish eye, a prominent muzzle and prematurely receding hairline, he was scarcely swordfight all for 'Rudolph Valentino' (qv), but he perpetrate be in rights of the requisite demeanor to confidently haul hard-faced a roguish and compelling man-about-town. Fluent in six language, Menjou nearly unrecognizable short one hue of dignified wear, and go next to to earn reputation as the nation's "best clothed man" nine times. Born on February 18, 1890, in Pittsburgh, Pennsylvania, he was christen Adolphe Jean Menjou, the elder son of a hotel examiner. His Irish mother was a out-of-the-way cousin of novelist/poet 'James Joyce (I)' (qv) ("Ulysses") (1882-1941). His French father, an émigré, in due course moved the dealings to Cleveland, where on earth he operate a park both of restaurant. He disapprove of performance conglomerate and send an already piqued Adolphe to Culver Military Academy in Indiana in the hope of dissuade him from such a seemingly immature and disreputable trade. From within Adolphe was enrol at Stiles University prep arts school and next Cornell University. Instead of acquiesce to his father's demands and obtain a engineering character, nevertheless, he curtly changed his trunk to liberal art and foundation audition for academy the part. He moved out Cornell in his third year orderly to relief his father do paperwork a restaurant for a instance during a family pecuniary adversity. From there he left for New York and a enthusiasm in the theater. Adolphe toil as a laborer, a haberdasher and even a waiter in one of his father's restaurants during his salad days, which incorporated some vaudeville work. Oddly ample, he never made it to Broadway but instead found other and/or tablet work for miscellaneous show studios (Vitagraph, Edison, Biograph) starting in 1915. WWI interrupted his hasty career, and he serve as a chief with the Ambulance Corps in France. After the period of war he found employment off-camera as a production manager and component manager. When the New York-based film industry moved west, hence did Adolphe. Nothing of major items happen for the fledgling actor until 1921 -- an utter bunting year for him. After six years of go all-out he in the drawn out dash broken down into the crown ranks with sizeable role in _The Faith Healer (1921)_ (qv) and _Through the Back Door (1921)_ (qv), the latter starring 'Mary Pickford' (qv). He formed some terrifically dangerous acquaintances as a result and earn a Paramount agreement in the formula. Cast with Mary's then-husband 'Douglas Fairbanks' (qv) as Louis XIII in the magnificent tight-lipped _The Three Musketeers (1921)_ (qv), he curtains off the year portray the potent writer/friend Raoul de Saint Hubert in 'Rudolph Valentino' (qv)'s classic _The Sheik (1921)_ (qv). Firmly embedded in the Hollywood lifestyle, it take inconsequential time for Menjou to ingrain his slick archetype as the urbane ladies' man and flourishing roué. Paramount, notice how Menjou stole scene from 'Charles Chaplin' (qv) favorite 'Edna Purviance' (qv) in Chaplin's _Woman of Paris, A (1923)_, started capitalizing on Menjou's playboy popularity by cast him as various merciless and creaseless matinée lead in such films as _Broadway After Dark (1924)_ (qv), _Sinners in Silk (1924)_ (qv), _The Ace of Cads (1926)_ (qv), _A Social Celebrity (1926)_ (qv) and _A Gentleman of Paris (1927)_ (qv). His younger brother 'Henri Menjou' (qv), a inferior actor, enjoy a sector in Adolphe's copy _Blonde or Brunette (1927)_ (qv). The horses unscrew market run into lead to the termination of Adolphe's Paramount contract, and his esteem as chief man finished with it. MGM took him on at in some measure his Paramount stipend and his fluency in such languages as French and Spanish kept him employed at the artistic bedside light. Rivaling 'Gary Cooper (I)' (qv) for the attentions of 'Marlene Dietrich' (qv) in _Morocco (1930)_ (qv) started the orb surging for Menjou as a dressy second front. Rarely placed in leads subsequent to this time, he manage his one and one and only Oscar nomination for "Best Actor" with his behaviour as editor Walter Burns in _The Front Page (1931)_ (qv) Not at the outset distribute in the role, he replace 'Louis Wolheim' (qv), who die ten days into preparation. Quality parts in element pictures became the norm for Adolphe during the 1930s, with excellent roles given him in _The Great Lover (1931)_ (qv), _A Farewell to Arms (1932)_ (qv), _Forbidden (1932)_ (qv), _Little Miss Marker (1934)_ (qv), _Morning Glory (1933)_ (qv), _A Star Is Born (1937)_ (qv), _Stage Door (1937)_ (qv) and _Golden Boy (1939)_ (qv). The 1940s be not as golden, however. In assortment to entertaining the troop far-off and making acquit broadcast in a host of unrelated languages, he did manage to find the slick and slimy Billy Flynn advocate role in front of 'Ginger Rogers' (qv)' felon in the "Chicago" getting previously owned to _Roxie Hart (1942)_ (qv), and constant to earn occasional distinction in such post-WWII pictures as _The Hucksters (1947)_ (qv) and _State of the Union (1948)_ (qv). His ending lead was in the crackerjack thriller _The Sniper (1952)_ (qv), where he portray a detective track fluff a hired gun who preys on women in San Francisco, and he appear without his mustache for the first time in nearly two decades. Also alive on radio and TV, his last personage film was the classic anti-war picture _Paths of Glory (1957)_ (qv) playing the bad Gen. Broulard. Adolphe's fairly hardcore right-wing Republican politics choke his then reputation, as he was made a scapegoat for his allegiance and collaboration during the 'Joseph McCarthy (II)' (qv) Red Scare stair. Following his last picture, Disney's _Pollyanna (1960)_ (qv), in which he play an uncharacteristically rumpled curmudgeon who is mesmerized by 'Hayley Mills' (qv), he retire from acting. He died after a nine-month warfare with hepatitis on October 29, 1963, on the inside his Beverly Hills earth. Three times prove the charm for Adolphe with his 1934 nuptials to actress 'Verree Teasdale' (qv), who survive him. The brace had an adopt son name Peter. His narrative, "It Took Nine Tailors" (1947), pretty markedly say it all for this planed, preen white-collar.
Height: 5' 10"
Quotes: The ['Marlon Brando' (qv)] school are grabbers, not lovers. If it wasn't that the script says they get the girl, they wouldn't., My success has been as full of luck as a crapshooter's dream., It was my mustache that landed jobs for me. In those silent-film days it was the mark of a villain. When I realized they had me pegged as a foreign nobleman type I began to live the part, too. I bought a pair of white spats, an ascot tie and a walking stick., I'm a Red-baiter; I'm a witch-hunter if the witches are Communists.
Birth Notes: Pittsburgh, Pennsylvania, USA
Salary History: _That's Right - You're Wrong (1939)_ (qv)::$50,000
Other Works: Stage and television actor.
Birth Name: Menjou, Adolphe Jean
Spouse: 'Verree Teasdale' (qv) (1934 - 29 October 1963) (his death); 1 adopted son, 'Kathryn Carver' (qv) (1928 - 1934) (divorced), 'Katherine Tinsley' (? - ?) (divorced)
Death Date: 29 October 1963
Portrayed: _Child Star: The Shirley Temple Story (2001) (TV)_ (qv), _A Star Is Hatched (1938)_ (qv)
Birth Date: 18 February 1890
Charles Redgie (actor)
Marcello Spada (actor)
Birth Notes: Rome, Italy
Birth Date: 16 January 1905
Roger Tréville (actor)
Birth Name: Troly, Roger
Other Works: 1958: voice of James Stewart in the French dubbed version of Alfred Hitchcok's "Vertigo" (Sueurs froides)., 1950: voice of Douglas Fairbanks,Jr. in the French dubbed version of Sidney Gilliat's "State secret" (Secret d'état)., 1955 : voice of Tom Ewell in the French dubbed version of Billy Wilder's "The seven year itch", 1960 : voice of Leo Genn in the French dubbed version of Robert Rossellini's "Era notte a Roma", 1952 : voice of Cary Grant in the French dubbed version of Howard Hawks' "Monkey Business", 1954: voice of Vittorio De Sica in the French post-synchronized version of Luigi Comencini's "Pane, amore e fantasia" (Pain, amour et fantaisie)., 1970: dubbed voice of Trevor Howard in the French post-synchronized version of Richard Donner's "Twinky" (L'Ange et le Démon)., He's the French dubbing voice of Robert Mitchum., 1961: Dubbing voice in the French post-synchronized version of Pino Mercanti's 1960 "Il cavaliere dai cento volti" (Le retour de Robin des Bois).
Death Date: 27 September 2005
Death Notes: Beaumont, Dordogne, Aquitaine, France
Birth Date: 17 November 1902
André Volbert (actor)
Odette Barencey (actress)
Birth Name: Bréant, Manuella
Birth Notes: Paris, Ile-de-France, France
Death Date: 4 March 1981
Death Notes: Lyon, Rhône, Rhône-Alpes, France
Birth Date: 20 August 1893
Pauline Carton (actress)
Articles: "Musée du Cinéma" (Belgium), November 1974, pg. 2, "Pauline Carton est morte à 90 ans", "Combat" (France), June 1974, "Pauline Carton est morte à 90 ans"
Death Notes: Paris, Ile-de-France, France
Birth Notes: Biarritz, Pyrénées-Atlantiques, Aquitaine, France
Other Works: TV commercial for Imperial foods (1966)
Birth Name: Biarez, Pauline Aimée
Death Date: 17 June 1974
Birth Date: 4 July 1884
Fanny Clair (actress)
Alice Cocéa (actress)
Birth Name: Cocéa, Sophie Alice
Birth Notes: Sinaia, Prahova, Romania
Death Date: 2 July 1970
Death Notes: Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France
Birth Date: 28 July 1899
Nicole de Rouves (actress)
Meg Lemonnier (actress)
Renee Savoye (actress)
Olga Valéry (actress)
Jean de Limur (writer)
Roy Horniman (writer)
Léopold Marchand (writer)
Mary Murillo (writer)
Georges Asselin (cinematographer)
René Colas (cinematographer)
Otto Kanturek (cinematographer)
Jose Lucchesi (composer)
Jean de Limur (director)
Stewart B. Moss (editor)
Jacques Colombier (production designer)
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